Centres Educatius Jam Session

Jam Session School

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Jam Session Music School, authorized by the Department of Education of the Generalitat de Catalunya with center code 08069426, offers the recognition of the highest level of musical studies granted by Decree 331/1994: 2nd cycle of professional level. This means that our students can take the official exams internally in our center, with the same validity as in a conservatory, until the 4th grade of Professional Degree.

 

icono tour virtual

 

Study Plan

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Subjects

 

JAM SESSION'S TEACHING MATERIALS

 

Didactic material designed for the educational centers associated with Jam Session. A collection of nine books for each instrument, created by the professors of the Jam Session Music School, with everything necessary for the monitoring of the classes and the preparation of the exams, organized according to the Professional Program Studies.

 

 

 

 More information 

 

 

MUSICAL CULTURE

 

Essential for the assimilation of the basic concepts of musical language and the development of the student with his instrument.

Among other contents, apart from the history of music and its impact on today's society, theoretical studies, harmony, arrangements, composition, aesthetics, philosophy, language, ear education, improvisation, analysis... They ensure multidisciplinary and broad musical training.

 catalogo libros

 

 

 

 

 

SINGLE INSTRUMENT

 

Single Instrument is a class exclusively student-teacher studied the technical aspects of the instrument: the position, the repertoire, reading, understanding, history, styles, etc.

The instruments that are taught are drums, percussion, electric bass, double bass, piano/keyboards, electric/acoustic/classical guitar, voice, sax, clarinet, flute, trumpet, trombone, violin and vibraphone.

clase de instrumento  enlace video laboratorio de baterías

 

 

 

 

 

 

COMPLEMENTARY PIANO

 

General musical comprehension works in a practical way. All musicians, regardless of the main instrument they dominate, must be able to defend themselves at the level of accompaniment with the piano, since the keyboard offers a very clear vision of the operation of the voices at a harmonic level.

As a complement to musical computing and new technologies, it becomes an exceptional ally of the student. This is a subject that, without needing to deepen into advanced piano techniques, allows you to enjoy music easily and, most importantly, to understand it.

Piano comp 1Piano comp 2

 

 

 

 

 

 

 

SECONDARY INSTRUMENT 

 

This subject aims to work the musical understanding, always necessary, from different perspectives outside the main instrument. And it is that the brain easily gets used to the visual scheme of the main instrument and delves into geometrical positions typical of the physical specific technique, and in this way we stop thinking about gravitational relationships between the musical notes.

Therefore, in this subject, the usual schematic visual comfort is substituted to which the student is accustomed to a totally different one. With this it is obtained that the brain works not by visual positions but by musical relations. Once the student has understood these relationships, when he returns to the main instrument, he not only continues to recognize the original schemes, but is able to understand musical relationships in a global way, and even to incorporate musical aspects of the The secondary instrument, which make the main richest and original.

It is advised that string students study a wind instrument and that wind students play a rope. One of harmonics for the most melodic, and a melodic for the most harmonious.

clase de contrabajoclase de vibrafono

 

 

 

 

 

 

 

BAND / COMBO / ENSEMBLE/ BIG BAND / ORCHESTRA

 

Based on the relationship between the different elements that form the main formations from band or group or orchestra, from the most classic to the most contemporary.

Concepts like the "groove" of different styles, pulsation, speed variation, equivalencies riffs, improvisation, creating rhythms, complex structures, polyrhythms, applying different measures between the different sections are studied in the same subject, experimental sound and applied composition.

As larger formations, there is also the String Orchestra and Big Band. It is advised that all students pass at least one course on any of these large formations to learn to work with different tessitura of the various orchestral instruments, and apply techniques such as background, the soli, or the main techniques of orchestration

clase de combo

 

 

 

 

 

 

 

 

HISTORIC HARMONY 

 

For years we have seen how modern students do not always know how to recognize basic aspects of traditional harmony. Historical Harmony is an important subject for understanding the evolution of science through history, and the different applications and different nomenclatures.

A course to enjoy, once they already have fairly clear harmonic concepts.

CULTURA MUSICAL 2CULTURA MUSICAL 1

 

 

 

 

 

 

 

MUSICAL PRODUCTION

 

Subject that studies the basic principles of the world of contemporary sound production. From pre-production of a model, thereby producing an album with own sound, arrangements, mixing, etc. until the last phase of post-production and mastering.

Advertising and commercial aspects for a small module BSO (Music Soundtracks) to complement the relationship music and image are also studied.

Tecnología Musical 1Tecnología Musical 2

 

 

 

 

 

PAS (SUPERIOR ACCESS PROGRAM)

 

Preparatory course for the entrance exams to the Superior Studies of Music in ESM Jam Session.

Because there are no regulated professional studies that guarantee the same way of understanding the theoretical concepts of modern musical language, the center offers a bridge course, the PAS, of 5 months duration and divided into the subjects of Instrument, Band and Culture . This course guarantees that the applicant can submit to the entrance exams with the necessary knowledge.

 

 

 

 

 

 

 

Teachers

Recording Studios 

Los Estudios de Grabación están ubicados en las 2 primeras plantas de la Escuela de Música Jam Session de Barcelona. En la planta superior encontramos el control técnico, y en la parte inferior el Club Auditorio de 140 m2. 

Ambas plantas se encuentran unidas por circuito cerrado de televisión controlado desde el Studio 1. Separando y aislando la cabina de control de la sala de concierto, independizamos totalmente las acústicas.  

estudios de grabación y sello discografico

 

Estudi0 1

El Estudio 1, a parte de ejercer como cabina de control, se utiliza también como cabina de grabación para instrumentos en linea, así como para procesos informáticos o envíos midi. En él encontramos, además de las principales mesas de estudio y material, un equipamiento para la sincronización con el resto de estudios para poder trabajar desde varios espacios a a la vez. 

estudio 1

  

Estudio 2

El Estudio 2, ubicado a continuación del Estudio 1, y visto a través de la ventana contigua, está equipado con mesa independiente puenteada a la mesa principal, y hace las labores de grabación de referencia tocando al unísono varios músicos conjuntamente. 

estudio 2

     

Estudio 3

El Estudio 3, o Club Auditorio, es el empleado para la grabación de conciertos en vivo y/0 de Grupos y Orquestas en estudio. Dispone de, a parte de tratamientos acústicos, un escenario en formato club, con microfonía en varios puntos concretos para la grabación de público en vivo. En él pueden tocar todos los miembros de la banda u orquesta de forma conjunta, y registrar el sonido por pistas separadas para realizar una cuidada post-producicón.

estudio 3

 

Estudio 4

El estudio 4 o Cabina de Batería Acústica, es el empleado para la grabación de batería y percusión. Diseñado acústicamente para ello, también se emplea como cabina de referencias, voces, y varios instrumentos de amplio espectro sonoro. También está unida al auditorio mediante ventanal para grabar desde esa ubicación sin utilizar el control remoto.

estudio

 

Estudio 5

Estudios Acústicos en Diferentes Aulas ( 15 ). Cada sala, dispone de una especial acústica, más mate o más viva, y una personalidad en cuanto acústica se refiere. Dependiendo de la grabación en cada caso, elegirmos una sala concreta, con un piano concreto, etc..., y transportamos un cajetín de lineas para grabación. Hay 15 salas diferentes totalmente equipadas para escoger según su acústica.

estudio 5

 

 

FORMATO A

  • Grabación en estudio por pistas separadas (Sonorización, grabación de referencia, overdubing, mezclas y masterización.
  • Grabación en estudio juntos al unísono.
  • Grabación en estudio juntos al unísono, pero por pistas separadas.

 

FORMATO B

  • Grabación en directo juntos al unísono con mezcla de público.
  • Grabación en directo juntos al unísono por pistas, mas mezcla de público.
  • Grabación en directo varios días para selección.

 

FORMATO C

Para el registro de conciertos externos utilizamos LA UNIDAD MOVIL, un FLIGHT CASE que transporta todo lo necesario para el concierto, etapa, grabador multipista, equalizador, efectos, mesa de mezclas, microfonía, cableado, etc... 

unidad mobil

 

 

 

Si deseas realizar tu propia grabación, ponte en contacto con nosotros entregando tu raider y una grabación aérea o preliminar, y hacemos un estudio de la mejor opción según tu caso.

Como información general, te adelantamos que el formato de grabación dependerá de las necesidades concretas de cada caso en particular. 

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